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Born:
Paterson, NJ
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Mount
Holyoke College, B.A., Political Science, magna cum laude,1970 |
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The
School of the Art Institute of Chicago, M.F.A., Painting,
1978 |
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Montana Museum of Art, “Laurie Fendrich: Sense and Sensation, Paintings and Drawings, 1990-2010,” 24 March-21 May 2011. |
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Gary Snyder Fine Art, Project Space, “Laurie Fendrich: Recent Paintings,” 2011 (10 February-2 April 2011) |
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Ruth Chandler Williamson Art Gallery, Scripps College, Claremont, CA, Retrospective, curated by Mary MacNaughton, Director of the
Museum, with catalogue (catalogue essay by Mark Stevens) (forthcoming, 31 October-19 December, 2010) |
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Gary Snyder Fine Art, Project Space, “Laurie Fendrich: Drawings From the South of France,” 4 November-19 December 2009. |
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Palm Beach Art Fair, Palm Beach, FL, represented by Katharina Rich Perlow Gallery, December 2007 |
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MiamiNow, Art Fair, Miami, FL, represented by Katharina Rich Perlow Gallery, December 2007 |
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Katharina Rich Perlow Gallery, New York, NY, Drawing Exhibition, October 2007 |
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Katharina
Rich Perlow Gallery, New York, NY, December 2006-January
2007 |
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Gary
Snyder Fine Art, New York, NY, 2003; with catalog essay
by Karen Wilkin |
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Hatton
Gallery, Colorado State University, Fort Collins, CO,
“Laurie Fendrich: Drawings,” 2002; with catalog
essay by Alfred MacAdam |
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Linda
Schwartz Gallery, Cincinnati, OH, 2000 |
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E.M.
Donahue Gallery, New York, NY, 1995 |
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The Galbreath Gallery, Lexington, KY, 1994 |
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Jan
Cicero Gallery, Chicago, IL, 1993, 1986, 1983, 1981 |
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John
Davis Gallery, New York, NY, 1990 |
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College
of Notre Dame of Maryland, Baltimore, MD, 1982 |
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Frans
Wynans Gallery, Vancouver, B.C., Canada, 1982 |
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Katharina Rich
Perlow Gallery, New York, NY, Summer Show, 2006 |
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Katharina Rich
Perlow Gallery, New York, NY, "Loosely Defined,"
2006 |
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Gallery
Siano, Philadelphia, PA, "Order(ed)," Curated
by Julie Karabenick; with catalog and catalog essay by
Roberta Fallon, May, 2005 |
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The
Painting Center, New York, NY, "The Legacy of Hans
Hofmann," Curated by Karen Wilkin and Geoffrey Dorfman,
November 3-December 24, 2005 |
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New
York Arts Gallery, Curated exhibition by Julie Karabenick,
(forthcoming, April 2005) |
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National
Academy of Design, 179th Annual Invitational Exhibition,
invitational group exhibition, May 6 - June 6, 2004 |
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New
York Arts, "Drawing Conclusions II," curated
by Gae Savannah and Jill Conner, December 12, 2003 - January
13, 2004, New York, NY |
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P.S.
1 Museum, New York, “After Matisse/Picasso,”
2003 |
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Eaton
Fine Art, West Palm Beach, FL; “Artists and Writers
and Husbands and Wives,” four-person show with Peter
Plagens, Barbara Novak, and Brian O’Doherty, with
catalog with 3500 word essay by each artist and reproductions
of works, 2002 |
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Linda
Schwartz Gallery, Cincinnati, OH, 2000; 2001 |
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Gary
Snyder Fine Art, opening exhibition of new gallery in
Chelsea, 2001 |
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Pratt
Gallery, Puck Building, New York, NY, 1999, and Schafler
Gallery, Pratt Institute, Brooklyn, NY, “Women and
Geometric Abstraction,” curated by Kit White, 2000 |
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N-3
Gallery, Brooklyn, NY 1999 |
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Jan
Cicero Gallery, Chicago, IL, 2000, 1999, 1987, 1984, 1982,
1979 |
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Earl McGrath Gallery, New York, NY 1998( two exhibitions) |
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Gramercy
International Art Fair, New York, NY, 1997 |
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Snyder
Fine Art, New York, NY, “The New Naturalism,”
1997 |
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Snyder
Fine Art, New York, NY, “Geometric Abstraction,
1937-1997,” 1997 |
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Snyder
Fine Art, New York, NY, "Affinities," 1996 |
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Donahue/Sosinski Gallery, New York, NY, 1996 |
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Emily
Lowe Museum of Art, Hempstead, NY, 1998, 1994, 1991 |
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Los Angeles County Museum of Art, "The Mask Project,"
1992
(with catalogue) |
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P.S.
1 Museum, New York, "Slow Art: Painting in New York
Now,"
1992, curated by Alanna Heiss |
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John
Davis Gallery, New York, NY, 1989, 1990 |
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Condeso/Lawler
Gallery, New York, NY, 1986 |
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Duo
exhibition (with Jim DeFrance), 239 S. Los Angeles St.,
Los Angeles, CA, 1984 |
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"Critical
Perspectives," P.S. 1 Museum, NY, 1982 (catalogue) |
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"Contemporary
Art from North Carolina," Squibb Corporation
Gallery, Princeton, NJ, and North Carolina Museum of Art,
Raleigh, NC, 1982 (catalogue) |
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"Painting,
Notes & Sketches," Guggenheim Gallery, Chapman
College, Orange, CA, 1980 (Four artists) |
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"Introductions," Watson-Willour Gallery, Houston,
TX 1979 |
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Professor
of Fine Arts, Hofstra University, Hempstead, NY,
2002-present; Associate Professor, 1995-2001 |
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Adjunct
Faculty, Department of Fine Arts, Hofstra University,
Hempstead, NY, 1989-95 |
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Painting
Faculty, Art Center College of Design, Pasadena, CA, 1980-85 |
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Instructor,
University of Houston, Houston, TX, 1978-79 |
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Instructor, University of Southern California, Los Angeles,
CA 1979-80 |
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Montana Museum of Art and Culture, Missoula, Montana, March 2011
New York Academy of Art, New York, NY, Visiting Critic, January 2009
Visiting Artist, Idyllwild Arts Summer Program, Idyllwild, CA, 30 June-2
July, 2008 |
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Visiting
Artist, “Critical Voices Program,” Irish Arts
Council, Dublin, Ireland, May 2003 |
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Visiting
Artist, Critic and Artist Residency Series, Colorado State
University, 7-11 October, 2002 |
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The
Pratt Institute, 1999 (semester seminar) |
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University
of Delaware, 1998 |
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Triangle
Workshop, summer, 1997 |
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The
School of the Art Institute of Chicago, Chicago, IL, 1993 |
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Claremont
Graduate School, Claremont, CA, 1984; East Carolina University,
Greenville, NC,1983; Emily Carr College of Art, Vancouver,
B.C., 1981 (fall semester) |
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Artist's
Fellowship (Painting), National Endowment for the Arts,
1983-84 |
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Artist's
Fellowship (Painting), National Endowment for the Arts,
1983-84 |
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Brooklyn Rail, March 2011,“Hard-Edgeness in American Abstract Painting,” By Robert Morgan. Online version:
http://www.brooklynrail.org/2011/03/artseen/hard-edgeness-in-american-abstract-painting |
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Art in America, January 2011, review by Leah Ohlman |
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CityArts, 18 November 2009. “Drawings from the South of France,” review by Mario Naves. |
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The New York Sun, 24 July 2008. “A Delicious Paradox,” review by Stephen Maine. |
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art press, (Paris edition), March 2007, review by Robert C. Morgan |
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Geoform, (url: www.geoform.net), Interview by Julie Karabenick, with images of paintings going back to 1977, posted April-Oct. 2007 (archived on the website). |
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New York Absolute Magazine, February/March 2007, “Abstract Logic,” By Richard Polsky |
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ArtForum, March 2007, review by Donald Kuspit |
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Art in America, March 2007, review by Nancy Princenthal. |
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ArtNews Magazine, February 2007, review by Ann Landi. |
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The New York Observer, 8 January 2007. Individual review, Mario Naves. |
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The New York Sun, 14 December 2006. Review by Maureen Mullarkey. |
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The Phiiladelphia
Inquirer, 26 May 2006.
Review of "Order(ed)," by Edith Newhall. Select
mention. |
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The New York
Observer, 27 February 2006. Review of "Loosely
Defined," by Mario Naves. Select mention. |
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The
New York Sun, 25-27 November, Weekend Edition, "Celebrating
Hofmann's Enduring Influence," review of exhibition
by John Goodrich. Individual mention. |
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The
New York Observer, 21 November 2005. Review of "Hans
Hofmann: The Legacy"; two individual mentions. |
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The
New York Times, Art Listings, 18 November 2005. Individual
mention in "Hans Hofmann: 'The Legacy'" listing. |
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NY
Arts Magazine, "In Conversation with Laurie
Fendrich," Interview and illustrations, by Julie
Karabenick, online September - December, 2004; in print,
NY Arts Magazine, November/December, 2004 |
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The
New York Times, "The 179th Annual," May
14, 2004, review with individual mention, by Ken Johnson |
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Art
in America, June 2003, review by Eleanor Heartney |
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The
New York Times, review by Grace Glueck, 27 January
2003 |
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The
New York Observer, “Laurie Fendrich May Be
Harbinger of New Movement,” by Hilton Kramer, 6
January 2003 |
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ArtNet
online, review by Walter Robinson, January 2003 |
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AbArt
Online, review by Joseph Walentini, editor, January
2003 |
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New
York Magazine, “Talent: Living Color,”
by Edith Newhall, 16 December 2002 |
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ArtNews
Magazine, “Up Now”; review by Lilly Wei,
December 2002 |
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Palm
Beach Daily News, Apr. 28, 2002, review and interview
by Jan Sjostrom |
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The
Cincinnati Enquirer,” 28 March, 2000, review
by Owen Findsen |
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“Women
and Geometric Abstraction,” Review, Dec. 1999,
review by Robert C. Morgan |
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“From
the Mayor’s Doorstep,” March, 1999, review
by Piri Halasz |
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Partisan
Review, Fall, 1996, review by Karen Wilkin |
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The
New York Times, 2 August, 1996, review by Roberta
Smith |
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Partisan Review, Winter, 1996, review by Karen
Wilkin |
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Art
in America, January 1996, review by Richard Kalina |
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The New York Times, 13 October, 1995, review
by Pepe Karmel |
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New York Magazine, 11 September, 1995, by Edith
Newhall |
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Dialogue, Mar/Apr 1994, review by James McCormick |
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Artforum Magazine, May 1993, review by James
Yood |
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Art
in America, June 1990, review by Walter Thompson |
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ARTS
Magazine, April 1990, review by Peggy Cyphers |
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Hofstra University
9/11 Symposium, "Remembering 9/11: Making a Memorial
for Everyone," Panel Moderator, 5 September 2006 |
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Gallery Siano,
"Order(ed)," Panel Participant, 6 May 2006 |
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Lecture,
The University of Kentucky, 27 March 2006 |
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Panelist,
The Painting Center, New York, NY, "The Legacy of
Hans Hofmann"; Panel Moderator Karen Wilkin, 3 November
2005 |
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Lecture,
"Why Artists Always Lie: The Inherent Antagonism
Between Art and Philosophy," 11 November 2005; Visiting
Professor, College Seminar, Balzac's The Unknown Masterpiece,
10 November 2005, Concordia University, Montreal, Canada |
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Lecture,
The Otis College of Art and Design, 25 August 2005 |
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The
New York Studio School, New York, NY, Artists and Critics
Lecture Series, January 2003 |
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Keynote
Speaker, Colorado Art Education Association, Fall Conference,
Breckenridge, CO, 13 October 2002 |
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Public
Lecture, Colorado State University, 9 October 2002 |
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Session
Chair, College Art Association Annual Meeting, Philadelphia,
PA (February 2002) |
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Participant,
“Talking History,” Aired on Public Radio,
nationwide, the week of December 10, 2001 |
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Lecture,
Raritan Valley Community College, Keynote Speaker, Community
of Scholars Colloquium, November 15, 2001 |
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Lecture,
The Pratt Institute, Artist/Lecture Series 1999, April
29, 1999 |
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Panelist,
College Art Association Annual Meeting, Los Angeles, CA,
February 11, 1999 |
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Lecture,
The University of Delaware, 1998 |
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Lecture,
“Why Paint a Painting at the End of the 20th Century?,”
The Distinguished Faculty Lecture Series, 1997, Hofstra
University, 1997 |
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"Abstract
Painting Now," The New York Studio School, NY, NY,
with Hilton Kramer, Barry Schwabsky, and Pat Sutton, 1994 |
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Lecture,
The University of Kentucky, Lexington, KY, 1993 |
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Lecture,
The School of the Art Institute of Chicago, Chicago, IL,
1993 |
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"Blowing
Art-Theory Smoke," The
Chronicle of Higher Education, 12 May 2006
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"The
Lie of the Portrait," The Chronicle of Higher
Education, 11 November 2005 |
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"A Portrait
of the Artist as a Young Mess," The
Chronicle of Higher Education, 3 June 2005 |
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"Sleeping
Beauty," The Common Review, Vol. 3, Number
3, Winter, 2004 |
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"Wishing
You Would Wish This," column participant, The
Chronicle of Higher Education, January 9, 2004 |
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"A
Brush with Leo Strauss," The Chronicle of Higher
Education, December 12, 2003 |
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"Matisse
Wins!," The Chronicle of Higher Education,
March 10, 2003 |
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"Peter
Plagens: An Essay by His Wife," in Artists &
Writers, Husbands and Wives (West Palm Beach: Eaton
Fine Art, Inc., 2002) |
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“Confessions
of an Abstract Painter,” The Chronicle of Higher
Education, May 10, 2002 |
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“Traces
of Artistry,” The Chronicle of Higher Education,
Jan. 11, 2002 |
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“History
Overcomes Stories,” The Chronicle of Higher
Education, Sep. 28, 2001 |
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“Deconstruct
This,” column participant, The Chronicle of
Higher Education, Dec. 1, 2000 |
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“Perceptual
Drawing in the Age of the Keyboard,” in The
Chronicle of Higher Education, Nov. 17, 2000 |
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Why
Painting Matters (Bloomington, IN: Phi Delta Kappa
Educational Foundation), 2000 |
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“Why
Painting Still Matters,” in The Chronicle of
Higher Education, Apr. 30, 1999. Reprinted in Drawing
Us In: Essays on How We Experience Visual Art, ed.
by Deborah Chasman (Boston: Beacon Press), 2000 |
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Exhibitions
Editor, ARTS Magazine, 1990-93 |
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